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dynaudio evoke 10 whathifi

Obviously, this meant that vocal were particularly well-delivered, and for both male and female vocalists. The sonorities Hardy creates with his 1793 Guadagnini are ear-opening: the warmth of the instrument is exceptional, yet never so warm that you can’t hear the perfection of his vibrato. If you’d like to hear something fabulous that has both the piano and the violin working the Dynaudio Evoke 50s’ midrange hard (as well as those superb bass drivers), I can totally recommend Brahms’ Complete Sonatas for Violin and Piano on Calliope (Harmonia Mundi) as performed by Andrew Hardy and Uriel Tsachor. Which is the more desirable outcome will depend not only on your room and where the speakers are positioned in that room, but also on the type of music you most often listen to. Moving down in price to the likes of Bowers & Wilkins' tech-laden 805Ds (£4500) and KEF’s excellent Reference 1s (£5000) brings us a diamond dome tweeter in a decoupled metal housing in the case of the former, and the latest generation of KEF’s trademark Uni-Q driver array where the tweeter sits in the throat of the midrange unit improving dispersion and integration in … That said, the response is not super-flat within these dB limits, with definite lifts to above the ‘reference’ SPL (85dB) at around 1kHz (only minor) and around 3–6kHz (also minor). Dynaudio says this configuration allows it to fine tune the amplifier to match the drivers, and have greater control over the perfo… Its single-piece polypropylene cone is only 0.4mm thick and is driven by an aluminium voice-coil wound around a fibreglass former. Post your items for free. Song. You can see that for this trace, taking 95dBSPL as the 0dB reference point, the response extends from 900Hz to 22kHz ±2.5dB. The section of the trace below 900Hz is the averaged result of nine individual frequency sweeps measured at a distance of three metres, with the central grid point of the microphone on-axis with the tweeter, so one measurement is made with the mic aimed directly at the tweeter, another with the mic higher, another with it lower, another with it off to one side, another with it off to the other, and so on, until nine traces have been acquired, after which they’re averaged via post-processing. The Evoke 50’s 15cm midrange driver is directly derived from the £7500 Contour 60s, too. Evoke 30 continues Dynaudio's strong run in european design competitions with a prestigious win at the annual European Product Design Award. Speakers come in big brown cardboard boxes short on special opening experiences. If you want to learn more about Dynaudio, you can read our Reviews of the Dynaudio Confidence 50 and the Dynaudio Evoke 10 & 30 for free. I’ll discuss how you’d use these bungs later in this review. You can see for yourself that the response is marginally smoother and more linear without the grille, though the differences are barely significant. Dynaudio has a fairly simplistic answer in its Owner’s Manual, which takes the form of this advice: ‘(Plugs) can be fitted to reduce the bass emphasis that may be apparent if the speakers are placed close to room boundaries. The blue trace shows one bass driver’s response when the port is fully blocked, resulting in a sealed (infinite baffle) enclosure and you can see that at 60Hz, instead of rolling off, the response extends linearly downwards at around 12dB/octave, as theory would predict. Evoke 30 . The Dynaudio Evoke 50 is available in two different high-gloss painted finishes (high-gloss white and high-gloss black) and two different synthetic wood finishes: walnut and blonde. So, as I said before I digressed to make that very important point, I was fully expecting the midrange of the Dynaudio Evoke 50 to be the stand-out sonic feature of the design. With the half-bung fitted, the output from the port drops by 5dB, as you’d expect, and the peak output also drops in frequency down to 32Hz. The advantage of a three-way loudspeaker design with its separate midrange driver should now be immediately obvious! The Evoke 10 itself is a very straightforward design. Dynaudio’s Evoke 50 loudspeakers returned an excellent set of results in Newport Test Labs’ acoustic test laboratory, and is notable for having a particularly-well-extended bass response. The German magazine image hifi has reviewed Evoke 30 in their first issue in 2020 and is blown away. Plug them in, turn them up, and then get a friend round. If you have any questions to the above-mentioned or you need Dynaudio's acceptance in general, please contact Kristian Steen Olsen, Marketing (e-mail: kriol@dynaudio.com). The Evoke 30 is one of Dynaudio's most popular speakers because it offers very high performance with a good amount of bass dynamics, but in a much smaller than average and very attractive form factor. And, just in case you were wondering, you can safely play music while the pucks are attached… just don’t expect to hear any high frequencies! Visit our corporate site. Please refresh the page and try again. So 35Hz to 22kHz ±3dB it is. Graph 1 shows a frequency response that was obtained using two different techniques. is part of Future US Inc, an international media group and leading digital publisher. Product literature is easy to locate right beneath the top flaps making it easy to get started. The bungs provided with the Evoke 50 are in two pieces, with an inner plug and an outer ring.

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